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Prof. Satya Narayan Misra*
The parameters for widespread music underwent important change after second world struggle when Lata di left behind her predecessors whose full throated and nasal model was changed by melodious music. Along with her ‘wafer skinny’ voice Lata Mangeshkar changed the total throated musical model influenced by Thumri and Dadra custom of music. Although she catered to widespread style, she remained loyal to the approach and texture of classical music through which she had a stable coaching throughout her childhood. Along with her iconic quantity ‘Ayega Anewala’ in Mahal (1949) she purged herself of the necessity to emote Noor Jehan who had migrated to Pakistan. Given her sound coaching in classical music she may accomplice with Pandit Vimsen Joshi, one other Bharat Ratna, to render exceptional bhajans like ‘Baje Re Muraliya’.
Lata Didi sang in 36 regional languages with an oeuvre of about 30000 songs. She rendered solely two Odia movie songs. One was for the movie Suryamukhi (1963) the place she sang “Sei Chuna Chuna Tara Fule Aji”. Subsequently she sang one other music “Aji Mu Shrabani Luhara Harini” within the movie Arundhati in 1967. These are two iconic numbers which have enraptured era of music lovers in Odisha. Each the songs have been composed by Santanu Mahapatra, a legendry music Director, who handed out from IIT Kharagpur as Geo Physicist however was grasp of group music and probably the greatest gamers of Harmonium of India. Lata would have sang yet another duet in Arundhati with Pranab Patnaik. Nonetheless, she requested her sister Usha Mangeshkar to sing the duet “Ai Choto Kathatia Bhulana”, with Pranab Patnaik.
The 60’s was golden interval in Odia movies when Suryamukhi and Arundhati received Nationwide awards. The black & white movies blazed with high quality acing, music and socially related themes. Santanu Mahapatra was additionally instrumental in roping in Md. Rafi to sing a beautiful quantity “Mayuri Go Tuma Akase Mujebe Malhare”. Manna Dey additionally rendered his voice to music composed by Santanu Mahapatra. It was certainly a cultural bonanza for music lovers in Odisha when singers like Lata, Rafi, Manna Dey and Sandhya Mukherjee lent their unimaginable voices in Odia movie songs and introduced a beautiful synergy between one of the best of East and West in Odia movie music.
Lata needed to sing a couple of Odia Jagannath Bhajans and had chosen two. She was extraordinarily non secular and heard the story of how Salabega, a Muslim had composed songs in reward of Lord Jagannath. Sadly, she couldn’t sing these bhajans. Earlier than singing “Aji Mu Shrabani” she tried to know the that means of the music for a day earlier than she rendered it. She needed to look at the essence of the music as a substitute of simply rendering it in a mechanical means. On this side, she stood out amongst the friends of her time. When she was approached to sing “Piya Tose Naina Lage Re” within the movie Information somebody instructed her that the music was impressed by an Odisi music “Malli Mala Shyama Ku Debi”. She heard Shyamamani Devi’s rendition earlier than she sang Piya Tose. In reality the album “Shradhanjali” the place she sings the outdated masters like Saigal, Hemant & Kishore is a becoming tribute to her humility and sophistication. Notably, the way in which she sings Saigal’s “Mein Kya Janu” will stay a milestone. Hema Malini revealed that she sang every music with a lot of feeling and nuance it was very simple for her to emote the strains on the display.
She was a perfectionist personified. The story goes that when Dillip Kumar made a dig at her Urdu pronunciation to Naushad, she took it to coronary heart and engaged Moulvi to study the nuances of Urdu. Even in regional language songs, she took immense care to pronounce correctly. She was additionally a little bit of an activist and stood for feminine dignity and insisted on pay parity with male singers. She additionally pressed Raj Kapoor to pay her royalty, which the thespian refused. This created a hiatus between SD Burman and her for a very long time and with Raj Kapoor for a couple of years once they relented and she or he was paid at par with highest paid male singer. She did this a lot earlier than Billie Jean King who began the Battle of Sexes in 1973 towards Bobby Riggs to demand pay parity with male gamers in Wimbledon matches.
She is remembered by many for her extraordinarily beneficiant high quality. She is also called her love of cricket and was seen often with Raj Singh Dungarpur, former BCCI President in London within the cricket floor of Lords. She used to fulfill legendry gamers like Gary Sobers and Rohan Kanhai and was very near Sachin Tendulkar. She organised a live performance for the victorious cricket staff of the World Cup in 1983. She was conscious that the crackers will not be being paid handsomely then. She couldn’t marry Raj Singh resulting from household opposition. Dungarpur as soon as stated “Lata is sort of a closed envelope addressed to me. And I do know it accommodates a love letter!”. This was the story of Lata’s unrequited love for Raj Singh and cricket. She additionally had a delicate nook for Madan Mohan, who probably stretched Lata’s potential to the utmost.
The poet Ben Johnson wrote: “In small proportion we simply beauties see. And briefly measures life could good be. In comparable vein, Lata’s odyssey with Odia movie music was temporary however very soulful, poignant and sturdy. She at all times had a really excessive regard for outdated movie composers like Naushad, Madan Mohan and Khayyam. She harboured comparable emotions for Santanu Mahapatra who had his musical coaching from Salil Choudhury and had a really feel of theatre. Lata at first of her profession was a part of a peripatetic movie firm. No marvel the synergy of theatre, classical music and melody discovered its end result within the two soulful numbers she has left behind for music lovers of Odisha and outdoors.
*The creator is a retired joint secretary within the Ministry of Defence. He may be reached by e-mail at [email protected]
DISCLAIMER: The views expressed within the article are solely these of the creator and don’t in any means characterize the views of Sambad English.
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